3pcs Set Mir-11 Vega-7 Vega-9 / zoom Meteor 5-1 camera Krasnogorsk-2 K3 adapter

SALUT-S (Kiev-88 Hasselblad) 6x6 SLR 120 Vega 12B(V) Medium Format Camera Kit The description of this item has been automatically translated. If you have any questions, please feel free to contact us. Russian (USSR)  Salut-C  medium format camera   lens Vega-12 2.8/90mm (same Kiev-88 or Hasselblad) The camera body was recently maintained  ( CLA =  cleaned, lubricated, adjusted). The camera has been tested for functionality by a specialist. All mechanical parts work perfectly. This is a used item and may show signs of wear. Please only bid if you agree. Manufacturer: Arsenalwerk ARSAT (Kiev, USSR) Manufactured: 1972-1980 Number: ± 30,000 pieces Delivery: Medium format camera Salut-S Lens Vega-12V 2.8/90 mm Waist-level finder Two camera magazines Two light filters or original shoulder strap Leather case Manual as PDF Unlike the later KIEV models with brass gears, the SALJUT cameras had one made of steel. This is much more stable and durable. Salut-S (or Salyut-S, Salut-C = Salut-C) is a medium format SLR film system camera, manufactured by Arsenal Factory, in Kiev, Ukraine, formerly USSR and produced between 1972-1980, quantity 30.000 . First models of Salyut were probably the near copies of Hasselblad 1000F or 1600F. Salut-S is the very modified model of the first Salut, and has a modified version. This allows full automation of the lenses and the use of extension tubes and a teleconverter. The Salut / Kiev 88 models are sometimes affectionately known as the "Hasselbladski" due to their resemblance to a Hasselblad. The Salyut was the first attempt to produce a sophisticated medium format camera. It was probably a near copy of the Hasselblad 1600. The Soviets claimed that both the Hasselblad and the Saliut were derived from a Nazi prototype, but none of these were originally believed to be dubious. These cameras were very expensive at 400 rubles, which represents 6 months salary to the average Soviet citizen. This means that production very limited and   These cameras are rare. Lens: "Vega-12B" 2.80 / 90 mm Type / Format: switch, universal, Features: aperture portrait lens with the effect of spin motley background bokeh Fixing: bayonet V Manufacturer: "Arsenal" ARSAT Appearance / preservation:   Excellent appearance. Micro scratches on the lenses, no mould on the lens, little dust in the optical block, the diaphragm works, the smooth running of the helix.  See my other items to save shipping costs. This is a used item and may show signs of wear. If you have problems with your purchase, please contact me before leaving any feedback. All problems can be solved. Questions are to be asked before the bid. All information in the listing are without obligation and without guarantee.  Errors, misprints and prior sale expressly reserved. If you buy old equipment, make sure that it is compatible with your new cameras, lenses, etc.  Usual delivery time to EU 7-15 days, USA and Canada    8-17   days   another world    9-25   Days. In very rare cases, it may take longer due to customs issues or holiday delays. Import duties, taxes and charges are not included in the item price or shipping charges. Return Policy: If, for any reason, you are not satisfied with an item you have purchased, you may return it within 14 days of receipt. Please make sure the item is packaged and shipped in the condition you received it. The full refund will be made after I get the item back. Buyers must pay for the return, except for the receipt of incorrect or defective items. In these cases, I assume your shipping costs (applies only to international economy shipping services).

Movie camera  Ultra16 Krasnogorsk-3  16mm K3 K-3 Meteor 5-1 17-69mm f1.9 zoom lens    The camera is converted to Ultra16 (1.85:1 ratio) film format(new film gate). The "Ultra-16" format is a production format and differs from "Super-16" in the symmetrical arrangement of the frame to the film. In this case, the corners of the exposed area partially enter the perforation. The usable area of the frame with an aspect ratio of 1.85:1 occupies the entire height between the perforations and is 11.8×6.25mm. It can be used to optically print redeemed film copies as well as to obtain high definition video in 16:9 format. The Krasnogorsk-3 (Красногорск-3) is a 16-mm windup camera  made in the former Soviet Union.  The K-3 has been adopted by many film schools, including the University of Southern California's School of Cinema and Television. It has a semi-automatic diaphragm setting. Its low price, rugged construction and sophisticated optics have made it very popular with both beginning filmmakers and professionals. Among the K-3's credits are music videos for the Spin Doctors and Suicidal Tendencies. Director Spike Lee shot some of the footage in his film Get On The Bus using a K3. There is a photo of Spike holding a K-3 on the cover of the soundtrack CD. The Krasnogorsk-3 features: 17-69mm f1.9 zoom precision Zenit Lens Electronic exposure meter Continuously variable speed from 8-48 fps Single-frame animation Rotating mirror beam-splitter Film counter CAMERA TECHNICAL SPECIFICATION Lens: Meteor 5-1 F = 17-69mm, f / 1: 1.9 Film: 16 mm color or black and white, size of a frame: 10,05 x 7,6 mm Frames per second (shutter speed) range: à8 (1/20), 12 (1/30), 16 (1/40), 24 (1/60), 32 (1/80), 48 (1/120) , and single frame The half automatic aperture setting with the thru-the-lens (TTL) exposure meter provides the high accuracy of the film exposure The matte screen provides the clearance setting control The parallaxless reflex viewfinder provides the complete correspondence of the shot with the shot frame, appearing on the movie film Spring motor-drive works without any battery, one cocking provide 5m film winding The half-automatic movie loading the film track simplifiers and make it faster Apertures 1.9 -22 Minimum focusing distance 2m (without close up lens) Semiautomatic aperture setting 77x 0.75 mm filter thread Movie counter Viewfinder has diopter correction (+5 ...- 4) Overall camera dimensions (without pistol grip): 326 x 104 x 194 mm Weight: 3-3 kg (camera and lens), 6-7 kg (All) See my other items to save shipping costs. This is a used item and may have traces of usage. Questions have to be asked before the bid. All information in the listing are not binding and without guarantee. Errors, misprints and prior sale expressly reserved. If you have any issues with your purchase please contact me before leaving a feedback. I value my customers and all problems can be solved. Purchasing old equipment please make sure it is compatible with your new cameras, lenses etc. you are going to use it with. Usual shipping time (with tracking) to EU 7-21 days, USA and Canada 12-25 days, other world 15-35 days. In very rare cases it may be due to customs issues or holiday delays. Import duties, taxes, and charges are not included in the item price or shipping cost.

Very rare USSR 35mm AKS-1p Russian aerial cine camera AKC-1r.  with Jupiter-11 135mm lens Very rare Russian 35mm movie camera. Serial number #312024. Condition see pictures. Pictures are actual. Because there can be no guarantee of full functionality, the camera is only offered as a collector's item, decoration or prop. Like Konvas Kinor Arriflex Eyemo Eclair. AKS-1 a copy of the Eyemo movie camera (model 71-Z) of the American company Bell&Howell.  It was intended for "shooting from the aircraft of ground and air objects in order to control combat operations, reconnaissance and create documentaries on combat operations and combat training of parts of the Armed Forces of the USSR."   The camera Modification "AKS-1” or "AKS-4”,  targeted at aircraft cine-shooting. The cameras model differs a mechanism is a facilitating load of spring  has a mount place for view-finder of aircrafts sights sistem. KS cameras were used for chronicle, documentary, expeditionary filming, during the war most of russian armed forces newsreels were armed with these cameras. Remembering the filming of the war years, the honored artist of the  cameraman M. Oshurkov writes: “... All our equipment (mainly domestic) It worked well, with her we reached Berlin.” CINE CAMERAS "KS" series.  it is produced of Leningrads factory "KINAP” year 1938.  It is a analog of  cameras "Eyemo”, produced "Bell & Howell” USA. It is a first hands newsreel cameras for 35-mm films in the USSR. The camera spool loading 30m film or external casette 120m. Has a spring drive ensuring a 15-m film run and external motor drive, or hands drive. The camera has speeds: 8, 12, 16, 24, 32 f.p.s.. Interchangeable lenses have a bayonet mount. The camera is supplied complete with a f-28;35;50;75;135мм lens. The camera has parallax view-finder. The camera "KS-1” has a one mount place for Interchangeable lenses. Frame format: 16 × 22 mm;  Applicable film: Type 35;  Charging system: reel;  Film stock: 30 m;  Shooting frequency: 8, 12, 16, 24 and 32 fps 68 s)  Speed is supported by a centrifugal controller  Vizier:  Drive: spring (15 m), manual  Overall dimensions: 285 × 250 × 445 mm  _______________ See my other items to save shipping costs. This is a used item and may have traces of usage. Questions have to be asked before the bid. All information in the listing are not binding and without guarantee. Errors, misprints and prior sale expressly reserved. If you have any issues with your purchase please contact me before leaving a feedback. I value my customers and all problems can be solved. Purchasing old equipment please make sure that it is compatible with your new cameras, lenses etc. you are going to use it with.  Usual shipping time(with tracking) to EU 14-25 days, USA and Canada  17-35 days, other world  19-45 days. In very rare cases it may be longer due to the customs issues or holiday delays. Import duties, taxes, and charges are not included in the item price or shipping cost.

Lensbaby Muse Special Effects SLR Lens for Sony Alpha A-Mount with Double Glass Optic Sharp-Focus Areas with Gradual Blurring Hybrid - Bellows & Tilt-Shift Cameras Accepts Variety of Optics Multi-Coated Optical Glass Manual Focus Pre-installed Double Glass Optic he Lensbaby Muse Special Effects SLR Lens is a lens that will add a unique perspective to the world of SLR photography. The Lensbaby is a hybrid between a bellows camera and a tilt-shift camera. It will bring one area of a photo into sharp focus, surrounded by gradually increasing blur. The lens can be compressed, extended, and/or bent off-center in any direction for different results. The Lensbaby Muse offers a radical departure from the precision of digital or even film photography. It allows for selective focusing with SLR cameras. Effects like blurring, glowing highlights, and subtle, prismatic color distortions can all be achieved without software manipulations. The Muse features the Optic Swap System. Lensbaby has developed a line of different "optics" that can be interchanged with the Muse and Composer versions. This provides artists with an almost unlimited variety of looks and styles to capture their unique visions. This version of the Muse comes supplied with the Double Glass Optic, which provides the sharpest focus in its range. It offers a tack sharp sweet spot, with minimal diffusion at all aperture settings. Also available optionally are the Plastic optic for an ultra-soft and ethereal look, the Single Glass for that vintage look, or the Pinhole/Zone Plate for softer, dreamier focus images that are equally sharp from edge to edge. No electronic communication is possible between the camera and the lens. All operation is strictly manual. Automatic light metering is possible by shooting in aperture priority mode with many digital and film SLR cameras. The lens aperture can be changed by inserting different size aperture discs. The lens tubing is the part of the Muse that allows you to control the effect that it gives. It can be compressed or extended by pulling or pushing the focusing collar at the end of the Lensbaby. This in turn controls what is in focus, with fully compressed focusing on infinity and full extended focusing about 1' ahead. To focus on subjects that are between these distances, you have to partly compress the Muse. ______________ See my other items to save shipping costs. This is a used item and may have traces of usage. Questions have to be asked before the bid. All information in the listing are not binding and without guarantee. Errors, misprints and prior sale expressly reserved. If you have any issues with your purchase please contact me before leaving a feedback. I value my customers and all problems can be solved. Purchasing old equipment please make sure that it is compatible with your new cameras, lenses etc. you are going to use it with.  Usual shipping time(with tracking) to EU 9-25 days, USA and Canada  15-35 days, other world  19-45 days. In very rare cases it may be longer due to the customs issues or holiday delays. Import duties, taxes, and charges are not included in the item price or shipping cost.

  PL mount Ultra  16  Krasnogorsk-3 16mm Movie camera  K3 K-3 Meteor 5-1 17-69mm f1.9 zoom lens The camera is converted to Ultra16 (1.85:1 ratio) film format . CLA'd. An Arri PL mount was attached to the camera like ARRI, Aaton, Alexa, Amira, Red, Canon, Blackmagic, Sony, Leica, Carl Zeiss, Angénieux, Cooke and others lenses with PL mount. The camera and lens has been checked, serviced and set correctly. Loop formers are removed. The viewfinder is adjusted. The "Ultra-16" format is also a production format and differs from the "Super-16" in the symmetrical arrangement of the frame relative to the film. The frame "Ultra-16" is obtained by increasing the standard by 0.77 mm on each side in width. In this case, the corners of the exposed area partially overlap the perforation. Useful frame area with aspect ratio 1,85:1 occupies the entire height between perforations and is 11.8x6.25mm. It is possible to print cassetted film copies optically, as well as to receive high-definition video in 16:9 format.  The advantage of the format lies in the simpler alteration of standard filming equipment than for the "Super-16" with the same frame area. With the Ultra 16 format, you can use a film with both single-sided and double-sided perforations. A regular viewfinder can be used for framing, since the frame window is bored symmetrically. All 16mm optics without lateral displacement of the mount remain usable. The optical axis remains in the same place! Moreover, viewing the resulting film is possible with a standard film projector with a slight cutting of the image on the right and left, and after finalizing the film channel, the frame is visible in its entirety. Kranosgorsk works in all conditions, in cold, heat, rain and dust. This good camera for travel, expeditions, and in a war zone. The supplied zoom lens is of extremely high quality and is sufficient for almost any recording situation. Any Pentax screw mount lens will work on the K-3, so you can use any 35mm SLR lens on your K-3. The K-3 has been adopted by many film schools, including the University of Southern California's School of Cinema and Television. It has a semi-automatic diaphragm setting. Its low price, rugged construction and sophisticated optics have made it very popular with both beginning filmmakers and professionals. Among the K-3's credits are music videos for the Spin Doctors and Suicidal Tendencies. Director Spike Lee shot some of the footage in his film Get On The Bus using a K3. There is a photo of Spike holding a K-3 on the cover of the soundtrack CD. The Krasnogorsk-3 features: 17-69mm f1.9 zoom precision Zenit Lens Electronic exposure meter Continuously variable speed from 8-48 fps Single-frame animation Rotating mirror beam-splitter Film counter __________________________________________________________ See my other items to save shipping costs.  Usual shipping time (with tracking) to EU 9-25 days, USA and Canada 15-35 days, other world 17-45 days. In rare cases it may be due to customs issues or holiday delays. This is a used item and may have traces of usage.  Purchasing old/vintage/used equipment please make sure it is compatible with your new cameras, lenses etc. you are going to use it with.  Import duties, taxes and charges are not included in the item price or shipping cost.  Questions have to be asked before the bid. All information in the listing are not binding and without guarantee. Errors, misprints and prior sale expressly reserved. If you have any issues with your purchase please contact me before leaving a feedback. I value my customers and all problems can be solved. Return Policy  If you are not satisfied for any reason with any item you have purchased, you can return it within 14 days after receiving it.  Please, make sure the item is packed and shipped it in the same condition you have received it.  Full refund will be issued after I receive the item back. Buyers have to pay for the return shipping, except for receiving wrong or defective items. In those cases I will cover your shipping expenses (applied only for economy international shipping services) If you received wrong or defective item, you will be eligible for discount next time you buy anything from my store! Just message to remind me! Please, do not leave a negative or neutral feedback for that.

Jupiter-11 135mm f/4 CZ Sonnar Copy AKC 35mm Movie Camera OCT Konvas OKC  The description of this item has been automatically translated. If you have any questions, please feel free to contact us. Russian  Jupiter-11 135mm f/4 USSR movie cinema lens. KOMZ The Jupiter-11 135 mm f/4 - (Russian: Юпитер-11) prime telephoto lens for   35mm professional movie camera AKC-1, AKS-2, KS-50B, KC-50. This lens is distinguished by its very compact size, beautiful "Sonnar" blurring of unsharp areas (12-lobe iris diaphragm plays a significant role here), fairly good resolution and contrast. S oviet copy of Carl Zeiss Sonnar T 4/135.   Optical schemes are  nearly  identical. It was produced for  35mm professional movie camera AKC-1, AKS-2, KS-50B, KC-50.  like Rodina, Konvas Avtomat, Moscow, Kinor and others. High luminosity and high resolving power making it possible for a variety of filming when creating feature, documentary, chronicle sports and other films. _______________ See my other items to save shipping costs. This is a used item and may have traces of usage. Questions have to be asked before the bid. All information in the listing are not binding and without guarantee. Errors, misprints and prior sale expressly reserved. If you have any issues with your purchase please contact me before leaving a feedback. I value my customers and all problems can be solved. Purchasing old equipment please make sure it is compatible with your new cameras, lenses etc. you are going to use it with.  Usual shipping time (with tracking) to EU 7-15 days, USA and Canada   10-25 days, other world   15-35 days. In very rare cases it may be due to customs issues or holiday delays. Import duties, taxes, and charges are not included in the item price or shipping cost. Marke KOMZ Jupiter Focal Length Type Fixed/Prime Focal Length 135mm EAN Nicht zutreffend MPN Does Not Apply Anschlussart AKS AKC Focus Type Manual   Produktlinie AKC Lens Aperture F4.0 Fokussierung Manueller Fokus Brennweite 135mm Herstellungsland und -region Russische Föderation Type Fix Brand KOMZ