Hello, I invite you on a trip. You can open a whole world of a far oriental country in the heart of Asia. Household objects, clothes, textile, decorations tell a story better than any guide! This is traditional Uzbekistan dress. Made in 1940-50's MATERIALS real natural silk IKAT atlas of the high quality (not printed silk or rayon) CONDITION excellent SIZE length-41 in, chest-56 in, from one sleeve to another-57 in. In Central Asian hot climite the dress is the best for summer because of its oily, light, cool tissue. Ikat is one of the most interesting part of Central Asian Applied Arts and the most prestigious and beautiful fabric. It is also known in Persian as 'abr' for 'cloud', in Turkic as 'ipekshahi', in Arabic as 'asab', in Hindi as 'patola'. Like a cloud Uzbek Ikats display a great variety of patterns, may be composed of several combinations of materials and may be woven in both simple and complex structures. The single features shared by all of these extraordinary textiles is the complex dyeing process which is undertaken before the individual elements are arranged upon the loom. All ikat cloths have either their warps, their wefts, or, in rare cases, both warps and wefts dyed only in selective areas and only before those threads have been placed before the loom. The process of preventing the dyes from penetrating the entire warp or weft is known as 'reserving' or 'resist dye' and this produces the essential characteristics of ikat cloth. At the points where the reserved undyed areas meet the dyed sections, carefully controlled amounts of color merge with one another, randomly creating subtle, slightly blurred patterns. This dyeing technique ensures that each abr (cloud) is unique, and it is this aesthetic quality which suggests an analogy with clouds. Thank you !!!

Hello, I invite you on a trip. You can open a whole world of a far oriental country in the heart of Asia. Household objects, clothes, textile, decorations tell a story better than any guide! This is traditional Uzbekistan dress. Made in 1940-50's MATERIALS real natural silk IKAT atlas of the high quality (not printed silk or rayon) CONDITION excellent SIZE length-38 in, chest-52 in, from one sleeve to another-56 in. In Central Asian hot climite the dress is the best for summer because of its oily, light, cool tissue. Ikat is one of the most interesting part of Central Asian Applied Arts and the most prestigious and beautiful fabric. It is also known in Persian as 'abr' for 'cloud', in Turkic as 'ipekshahi', in Arabic as 'asab', in Hindi as 'patola'. Like a cloud Uzbek Ikats display a great variety of patterns, may be composed of several combinations of materials and may be woven in both simple and complex structures. The single features shared by all of these extraordinary textiles is the complex dyeing process which is undertaken before the individual elements are arranged upon the loom. All ikat cloths have either their warps, their wefts, or, in rare cases, both warps and wefts dyed only in selective areas and only before those threads have been placed before the loom. The process of preventing the dyes from penetrating the entire warp or weft is known as 'reserving' or 'resist dye' and this produces the essential characteristics of ikat cloth. At the points where the reserved undyed areas meet the dyed sections, carefully controlled amounts of color merge with one another, randomly creating subtle, slightly blurred patterns. This dyeing technique ensures that each abr (cloud) is unique, and it is this aesthetic quality which suggests an analogy with clouds. Thank you !!!

Vintage Uzbekistan Suzani. Natural silk couching stitch. The base of embroidery is natural cotton. Size: 20- 144 in (51-366 cm) Excellent condition. Weight: 1.180 kg. High quality Made in 1970's "I don't want to live in the past, but I want to live in a present which is rooted in the past... the world is constructed for us by its history, and the constructors live on in their work". - Philip Glazebrook, Journey to Khiva: A Writer Search for Central Asia, 1994. "Suzanis have enormous sophistication. They are earthy, vital, energic: designed to wow you. They seem to arise from the earth." Robert Kushner, 2012. This is the very long suzani wall frieze from Surkhandaria. Traditional design with rich vegetal motifs.

Vintage Uzbekistan Suzani. Natural silk couching stitch. The base of embroidery is natural cotton. Size: 20- 161 in (50.8-408.9 cm) Excellent condition. Weight: 0.620 kg. High quality Made in 1970's "I don't want to live in the past, but I want to live in a present which is rooted in the past... the world is constructed for us by its history, and the constructors live on in their work". - Philip Glazebrook, Journey to Khiva: A Writer Search for Central Asia, 1994. "Suzanis have enormous sophistication. They are earthy, vital, energic: designed to wow you. They seem to arise from the earth." Robert Kushner, 2012. This is the very long suzani wall frieze from Surkhandaria. Traditional design with rich vegetal motifs.

Vintage Uzbekistan Suzani. Natural silk couching stitch. The base of embroidery is natural cotton. Size: 23- 148 in (58.4-375.9 cm) Excellent condition. High quality Made in 1970's "I don't want to live in the past, but I want to live in a present which is rooted in the past... the world is constructed for us by its history, and the constructors live on in their work". - Philip Glazebrook, Journey to Khiva: A Writer Search for Central Asia, 1994. "Suzanis have enormous sophistication. They are earthy, vital, energic: designed to wow you. They seem to arise from the earth." Robert Kushner, 2012. This is the very long suzani wall frieze from Surkhandaria. Traditional design with rich vegetal motifs.

Vintage Uzbekistan Suzani. Natural silk couching stitch. The base of embroidery is natural cotton. Size: 23 x 159 in/58.4 x 403.8 cm. Excellent condition. Weight: 0.540 kg. High quality Made in 1970's "I don't want to live in the past, but I want to live in a present which is rooted in the past... the world is constructed for us by its history, and the constructors live on in their work". - Philip Glazebrook, Journey to Khiva: A Writer Search for Central Asia, 1994. "Suzanis have enormous sophistication. They are earthy, vital, energic: designed to wow you. They seem to arise from the earth." Robert Kushner, 2012. This is the very long suzani wall frieze from Surkhandaria. Traditional design with vegetal motifs.

Vintage Uzbekistan Suzani. Natural silk chain stitching. The base of embroidery is natural cotton velvet. Size: 17x157 in (43x398.7 cm). Excellent condition. Weight: 0.850 kg. High quality Made in 1970's "I don't want to live in the past, but I want to live in a present which is rooted in the past... the world is constructed for us by its history, and the constructors live on in their work". - Philip Glazebrook, Journey to Khiva: A Writer Search for Central Asia, 1994. "Suzanis have enormous sophistication. They are earthy, vital, energic: designed to wow you. They seem to arise from the earth." Robert Kushner, 2012. This is the very long suzani wall frieze from Tashkent. Traditional design with rich blossoming motifs.

Vintage Uzbekistan Suzani. Natural silk chain stitching. The base of embroidery is natural cotton velvet. Size: 17.5- 156 in (44.4-396 cm) Excellent condition. High quality Made in 1970's "I don't want to live in the past, but I want to live in a present which is rooted in the past... the world is constructed for us by its history, and the constructors live on in their work". - Philip Glazebrook, Journey to Khiva: A Writer Search for Central Asia, 1994. "Suzanis have enormous sophistication. They are earthy, vital, energic: designed to wow you. They seem to arise from the earth." Robert Kushner, 2012. This is the very long suzani wall frieze from Tashkent. Traditional design with rich blossoming motifs.

Vintage Uzbekistan Suzani. Natural silk chain stitching. The base of embroidery is natural cotton velvet. Size: 18x146 in (45.7x370.8 cm). Excellent condition. High quality Made in 1970's "I don't want to live in the past, but I want to live in a present which is rooted in the past... the world is constructed for us by its history, and the constructors live on in their work". - Philip Glazebrook, Journey to Khiva: A Writer Search for Central Asia, 1994. "Suzanis have enormous sophistication. They are earthy, vital, energic: designed to wow you. They seem to arise from the earth." Robert Kushner, 2012. This is the very long suzani wall frieze from Tashkent. Traditional design with rich blossoming motifs.

Vintage Uzbekistan Suzani. Natural silk chain stitching. The base of embroidery is natural cotton velvet. Size: 18.5x153 in (46.9x388.6 cm). Excellent condition. Weight: 0.855 kg. High quality Made in 1970's "I don't want to live in the past, but I want to live in a present which is rooted in the past... the world is constructed for us by its history, and the constructors live on in their work". - Philip Glazebrook, Journey to Khiva: A Writer Search for Central Asia, 1994. "Suzanis have enormous sophistication. They are earthy, vital, energic: designed to wow you. They seem to arise from the earth." Robert Kushner, 2012. This is the very long suzani wall frieze from Tashkent. Traditional design with rich blossoming motifs.

Suzani "Palyak" ORIGIN Tashkent, Uzbekistan CIRCA 1900' MATERIALS natural silk on cotton SIZE 108x99 inches In the 19th century Palyak, large size decorative embroidery, was the most important element of any bride’s dowry. In fact it was so essential that in cases when it was not available in a dowry and there was nothing to replace it with, it usually was borrowed from friends or relatives. Bride entered the house of her future husband under the protective cover of palyak, because it was said to possess the powers of a good luck charm or protective talisman. Both newly-weds were covered with it throughout the wedding ritual while it performed the role of "gushanga"- mantle. It was then also used as a bedspread for their marital bed. In the later period of time palyaks became mostly wall-mounted household decorations. Translated literally as “heavenly dome”, palyak was decorated with ornaments that symbolized celestial bodies: full phase moon (called Moon in Uzbek), stars (yulduz), etc. The motives of this embroidery was supposed to keep the newly-weds safe from evil eyes and vile spirits during the most perilous period of their life, the so called chillya , the forty-days after child birth, circumcision, wedding and death. The typical size of Palyak was about 98in - 118 in, with minor deviations in some cases. Embroidery of one piece of this kind usually required more than 5 km of silk thread, due to the fact that the stitches were exclusively using couching technique with twisted yarn. The main colors used were black, yellow, dark Bordeaux, raspberry pink and sometimes limited presence of violet, the latter completely absent on older embroideries. Bordeaux served as the main background color. The most frequently present ornament on palyaks are the ornamented circles, the so called oy (standing for the full moon). In the old days those were often embroidered by red (the silk was dyed with ruyan natural dye that gave it rich shiny gloss, truly pleasing the eye). Those circles were usually set off by an ornamented ring crafted in two colors – blackish dark cherry and yellow or sky blue and yellow. The ring resembled a band composed of alternating zigzags of those colors embroidered with ornament. The number of oy (lunar medallions) on Tashkent embroideries varied according to old men’s recollections from forty on the oldest pieces to twenty on newer versions. In the collection of the national fine arts museum in Tashkent there were exhibits with sixteen and twelve oy, the latter composed as four circles in three rows. Some Tashkent residents still own palyaks with six or more often four large oy. Such palyaks with six moons and four moons were in wide circulation in the 1880-1890s. Wedding rituals of course were evolving from the beginning of time. In Uzbekistan as in any other country in the world these traditional ceremonies were very eloquent, filled with deep symbolism. Embroidery always played an important integral part in any wedding. It never was limited in its functions to being purely a background drop or a numb decoration. Instead it acted as an equally significant player in this complex staged event, performed its well-defined meaningful role. The bride was led into her future husband’s house while a large piece of embroidery, palyak, was carried over her ceremonially lowered head in order to protect her from evil spirits, to keep her safe from malefic or bad eye. She remained covered throughout the “cleansing” procedure sitting in front of a bonfire until the moment came for the groom to take her away as part of a steal-away ritual and lead her unto the sheltering curtains. After that the palyak was also hanged onto curtains, so it would serve as a safeguard for both newlyweds. This is the story of such interesting embroidery. Just look at this… Amaze with an impression of the time that stands still, it seems that the past in one moment has interflown in present. Its pattern preserves ancient legends and its stitching is filled with history. Free delivery by Fedex

Offered here is the old tribal "Qarok kurpa"-mat , Samarkand, first part of the 20th century. A quilt of handmade, it was gathered from different kinds of local ikat, printed cotton, hand-loomed striped silk fabrics, etc. The condition is good. Such item never made for commercial purposes, only for family use. The term Kurpa means a long blanket. Traditional Uzbek environment has no furniture, but a lot of textile! No chairs, no armchairs, no sofa, etc... Only low table and chest! So these long blankets or mats used for sitting round this low table. It is very comfortable for Uzbeks that loves guests very much. Superfluous mats lie on a chest/ Owners get them when visitors come. More often visitors remain to spend the night. They sleep on one half of mattress, and back used for covering. That is why it sometimes is very long: for lying and covering. Traditionally Uzbeks sleep not in beds, but on Kurpa. Without additional European blankets, sheets, etc. The kurpa fits for one person sleeping. So, Kurpa or Kurpacha means a quilted mat for sitting, sleeping and covering. Size is 52-36 in (132.08-91.4 cm) Weight: 0.520 kg. Thank you !!!

Romantic Asure Wrap Maxi Skirt and Twisted Top made of 100% natural linen One size (fits XS to L) Maxi length from waist to bottom is around 38" (96.5cm); Wrap around skirt; Convenient long waist ties; The model height is 5’7” (170cm) great for walking and lounging; comfortable fit; durable and easy to clean, dries quickly after washing

Beautiful Uzbek Long Jacket made of handmade cotton ikat 'adras'. Two pockets. A belt. Could be hooded by order. All sizes available XXS - chest around 31.5; length from top to bottom 47.6; from one shoulder to another 14; sleeve length 23.2; hips around 33.8 XS - chest around 33; length from top to bottom 48; from one shoulder to another 14.5; sleeve length 23.2; hips around 36.2 S - chest around 34.5-36.2; length from top to bottom 48.5; from one shoulder to another 15.7; sleeve length 23.5; hips around 37.8 - 39.3 M - chest around 37.8-39.3; length from top to bottom 49; from one shoulder to another 17; sleeve length 23.5-24; hips around 41-42.5 L - chest around 41-42.5; length from top to bottom 50; from one shoulder to another 18; sleeve length 24; hips around 44-45.5 XL - chest around 44; length from top to bottom 51.2; from one shoulder to another 19.3; sleeve length 24; hips around 46.5-47.2 XXL - chest around 45.5; length from top to bottom 52.3; from one shoulder to another 20; sleeve length 24.5; hips around 48.8 Important: After purchase, please, kindly let me know your size. Ikat is one of the most interesting part of Central Asian Applied Arts and the most prestigious and beautiful fabric. It is also known in Persian as 'abr' for 'cloud', in Turkic as 'ipekshahi', in Arabic as 'asab', in Hindi as 'patola'. Like a cloud Uzbek Ikats display a great variety of patterns, may be composed of several combinations of materials and may be woven in both simple and complex structures. The single features shared by all of these extraordinary textiles is the complex dyeing process which is undertaken before the individual elements are arranged upon the loom. All ikat cloths have either their warps, their wefts, or, in rare cases, both warps and wefts dyed only in selective areas and only before those threads have been placed before the loom. The process of preventing the dyes from penetrating the entire warp or weft is known as 'reserving' or 'resist dye' and this produces the essential characteristics of ikat cloth. At the points where the reserved undyed areas meet the dyed sections, carefully controlled amounts of color merge with one another, randomly creating subtle, slightly blurred patterns. This dyeing technique ensures that each abr (cloud) is unique, and it is this aesthetic quality which suggests an analogy with clouds.

This is very beautiful and pleasant to the touch Eco-friendly jacket. Reversible. Made of natural cotton. Embroidered in silk. Colors will not run or fade because of the high quality dyes. Dimensions: length-23 in, chest-45 in, from the end of one sleeve up to another-62 in. If you like it larger size or smaller I will alter it for you and send your size. The pattern and design will remain as in the pictures. Your skin will be delighted with the jacket, it is So Soft!

Uzbek very nice traditional pillow case with zipper. Decorated with silk handmade embroidery suzani. The base of embroidery is natural silk. Size: 23 x 24 in/58.4 x 60.9 in. Excellent condition, never used. Weight: 0.230 kg. High quality. Bring color, comfort and texture to your home with the beautiful pillow case. Thank you

Uzbek very nice traditional pillow case with zipper. Decorated with silk handmade embroidery suzani. The base of embroidery is natural silk. Size: 20.4 x 19.4 in/52 x 49 cm. Excellent condition, never used. Weight: 0.160 kg. High quality. Bring color, comfort and texture to your home with the beautiful pillow case. Thank you

Uzbek national costume is quite varied. In Soviet times, it was almost forgotten. When I opened a clothing boutique my goal was to attract the attention of men and women to the traditional Uzbek costume. It is not only beautiful, but also functional, comfortable, composed of natural materials. For example, women's tunics highlight the most beautiful in the figure and hide flaws. Men's outerwear, as well as women, loose-fitting, does not hinder movement. A variety of styles stimulate my imagination and inspire the members of my team. This jacket belongs to Bukhara style of clothing. It is refined and elegant. The foundation is vintage velvet. It is fully embroidered with silk threads. Natural colored. Excellent condition, of course. Never used. Measurements: shoulders 18 inch, length 38 inch, chest around 47 inch Thank you for your time and interest.

Natural silk velvet. Natural cotton base. Rich blue color. Width 59 inch (140 cm) Handmade Washable

Caftan made of natural cotton. Organic, does not irritate the skin, does not cause allergies. Washable in washing machine Dimensions: length-52 in, chest-56 in, from the end of one sleeve up to another-72 in. I can send any size you like from XS till XXXXXL Let me know your size in message after purchase or order details

Very beautiful silk-cotton chemise. Made of silk and cotton. Colors will not run or fade because of the high quality dyes. It is very light and pleasant for skin. The condition is excellent, never used. Size: length-35 in, chest-36 in, From the end of one sleeve up to another-63 in. length-89 cm, chest-91,5 cm, From the end of one sleeve up to another-160 cm.

Very beautiful silk-cotton chemise. Made of silk and cotton. Colors will not run or fade because of the high quality dyes. It is very light and pleasant for skin. The condition is excellent, never used. Size: length-35 in, chest-44 in, from the end of one sleeve up to another-59 in. length-89 cm, chest-111,5 cm, from the end of one sleeve up to another-150 cm.

Soft and sexy, enjoy a full-length robe. Natural cotton base, natural cotton lining with floral prints. Washing: This is machine washable, low heat or air dry
 All sizes available. XS - chest around 33; length from top to bottom 48; from one shoulder to another 14.5; sleeve length 23.2; hips around 36.2 S - chest around 34.5-36.2; length from top to bottom 48.5; from one shoulder to another 15.7; sleeve length 23.5; hips around 37.8 - 39.3 M - chest around 37.8-39.3; length from top to bottom 49; from one shoulder to another 17; sleeve length 23.5-24; hips around 41-42.5 L - chest around 41-42.5; length from top to bottom 50; from one shoulder to another 18; sleeve length 24; hips around 44-45.5 XL - chest around 44; length from top to bottom 51.2; from one shoulder to another 19.3; sleeve length 24; hips around 46.5-47.2 XXL - chest around 45.5; length from top to bottom 52.3; from one shoulder to another 20; sleeve length 24.5; hips around 48.8

Soft and sexy, enjoy a full-length robe. Natural cotton base, natural cotton lining with floral prints. Washing: This is machine washable, low heat or air dry
 All sizes available. XS - chest around 33; length from top to bottom 48; from one shoulder to another 14.5; sleeve length 23.2; hips around 36.2 S - chest around 34.5-36.2; length from top to bottom 48.5; from one shoulder to another 15.7; sleeve length 23.5; hips around 37.8 - 39.3 M - chest around 37.8-39.3; length from top to bottom 49; from one shoulder to another 17; sleeve length 23.5-24; hips around 41-42.5 L - chest around 41-42.5; length from top to bottom 50; from one shoulder to another 18; sleeve length 24; hips around 44-45.5 XL - chest around 44; length from top to bottom 51.2; from one shoulder to another 19.3; sleeve length 24; hips around 46.5-47.2 XXL - chest around 45.5; length from top to bottom 52.3; from one shoulder to another 20; sleeve length 24.5; hips around 48.8